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message Sandra Petrignani

" H or really appreciated your book, its variety, the echoes that resonate in many different directions. It is not easy a poem, now less than ever. But your work does not seem pure mental exercise, cold, C ' soul is "

Sandra Petrignani, April 2010

Biographical notes on the writer:

http://www.sandrapetrignani.it/index.php?option=com_content&view=article&id=46&Itemid=53

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Appearance of a visual poem in the ink screen

poetic framing of the table in scented ink pink "How easily I fall in love" to La3 TV, odorless copy contained in cellulose, but with flavor in the book. (2009 book preview on all handsets 3)

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Age Minoan + video


O ra
I discovered the beauty and the Minoan blue monkey

are firmly resolved to respond to my liquids with your

T ale cromostoria

will be that of the full implementation of the principles of
stoichiometry, thermodynamics
and art. 43 of the national collective agreement
inevitably rush inside you

Q T his, however, over the shock
gravitational

allow me to experience your culture and your palatial

compositions and exotic river

O RA I found the aesthetics
Minoan and the blue monkey
are firmly resolved to forward
sinuous shadow of your arts
Articles & monosyllables pimps
by testing lifts latex

I n the absence of atmospheric pressure
we roll up walls decorated with lilies and still
rocking
inject us with dominant amber fragrance


(from "Eyeliner" Bastogi, p.24)

The video
Poetry in mp4 version on You Tube

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A table poetic in his television appearance


Table poetic "Avec le South "in the frame made to La3 TV in 2009. The picture, a collage, is present in the book.

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's comment Arrigo Lora Totino, master of visual poetry and sound

A rrigo Lora Totino considered one of the leading masters of visual poetry and sound international said the book with one written by himself, mostly to the author.

E yeliner pencil to blacken the eye area at the fairer sex, I think, but also the title of a collection of poetry, most recently outputs, author Max Bridge. These events are primarily composed of verbal alliteration, assonance, polisensi naming of existing waste, scrap of newspaper in such a way that reshuffling, succeed in festive feasts. This is their most visible, the opposite of that patina of heavy sighing lamentations of the "supporters of the catastrophe" as the introductory note by Alice Krieg.
Dolorama Far from the planet, they remind us of the beautiful poster of "controdolore" (1913) Aldo Palazzeschi and bizarre shots of the wording "tubers" of Farfa of "We, the billionaire fantasy" (1933). It plays the music of the alliterative "Summary of the phenomenon Polymaterials crowd:" mad, mad, it was Leah, who was? And was sick as, Dario Fo's, mad-a, to whom? " This is to avoid "boredom bored," and to do this the author does not hesitate to bring typographical oddities or reverse the wording as in the double mirror poem "Washing (in)" and "Sinks (out)" "Jet idropulente for cholesterol in my apartment" or "Heimatlosigkeit" (Wandering), a mass of words pasted text to each the other, one of the few episodes of meditative book.

Arrigo Lora Totino, March 2010 ***



Arrigo Lora Totino, the biographical note by Modena shared libraries:
http://www.comune.modena.it/biblioteche / libritotino / index.htm

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EYELINER introduction of Alice Krieg

Max Ponte Eyeliner, Bastogi, 2010
Max Ponte's first book, which inaugurates the "Total Poetry Collection." The series dedicated to contemporary art and poetry festival "Poetry Total". The work includes five sequences of poems, with boards of visual poetry. The book has national distribution and you can take in all libraries. You can also order on the publisher's site Bastogi in bookstores and online as Ibs.

L a poem by Max Bridge comes in its capacity as cellulose. "Eyeliner" brings together the work of recent years, some have already appeared in blogs, magazines, books, television and radio broadcasting. Not to mention the numerous events such as poetry slams and readings in which these verses were represented, compared, discussed. A poem that comes to paper, then, with the detachment that you can try for a medium that is no longer a priority for poetry, but it is still useful and fascinating. The papers published in this collection consists of five linear moments interspersed with heterogeneous visual interventions. The speed and the resulting dall'afflato dromologico I declared a "total poetry, wild fruits, hedonistic and architectural" characterize the author's work. In "Eyeliner" the word, thrown in everyday life, does not give in to the gray anti-heroic - that is gripping the literature - but transvola, glides into the night, based autocratic party, in an ironic mimesis compound, intentional objects controdolore, the drainage of waste appropriate parties in the alphabet. This does not exempt one from, through meditative stages, angular, less pop aspects of this: the feeling of being stateless for example. In these passages of low tension, the tendency panic is the sign of continuity, the "loop". Because this collection is named "Eyeliner" is a question that the author did not respond, perhaps to mark the visual and imaginative, or perhaps the evocative power exercised by an object that puts its users in an elegant and penetrating state of grace. A contemporary praise of makeup, a mask of strength to cross the posthumanity and not concede anything to the supporters of the disaster. The High Bridge is a word poetry and played army, which seeks contact with the material. Word that has no desire peace and grows well in the blanks identifying the direction, to indicate the otherness of the experience.

(introduction by Alice Krieg)